Dr. Colin Eatock, composer
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A Rigoletto with two Dukes at the COC

1/31/2018

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PictureA scene from the COC's 2018 Rigoletto. Photo: Michael Cooper.
The audience for the Canadian Opera Company’s production of Rigoletto got a little more than it expected on Saturday (Jan. 27), when not one but two Dukes of Mantua took to the stage.
 
Tenor Stephen Costello was scheduled to sing the role. Then, at the opening of Act II, it was announced that he was in poor health but would carry on. However, in Act III he did not reappear, but tenor Joshua Guerrero (scheduled to sing the role at the COC from Feb. 11-23) stepped in. Although it was Costello who did most of the heavy lifting on Saturday, it was Guerrero who took the final bow.



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Tafelmusik's Safe Haven

1/29/2018

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PictureKora player Diely Mori Tounkara, originally from Mali.
elmusik has been presenting multi-media concerts for a while now. Since 2009, when Toronto’s “period” baroque orchestra staged The Galileo Project, these concerts have popped almost annually, all (largely) created by the orchestra’s multi-talented bassist, Alison Mackay.
 
Indeed, their ongoing success can be attributed to the winsome application of a effective formula: music, projected images and spoken-word narration, constructed around some kind of unifying theme.

In the first few multimedia productions, the themes Mackay chose often seemed suitable for infomercials emanating from some imagined “Ministry of Baroque Industry, Trade and Commerce.” Audiences learned, in much detail, about how telescopes, raisins, mirrors, linen, ink, candles, wire and coffee (among other things) were produced in Europe, back in the day.



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What's up with Robert Kapilow?

1/19/2018

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PictureConductor-composer-lecturer Robert Kapilow.
I made my first trek to Toronto’s Roy Thomson Hall of 2018 last Friday night (Jan. 12), for a Toronto Symphony program that I anticipated with mixed feelings.
 
On the one hand, the program featured Mozart’s Clarinet Concerto, to be played by the TSO’s principal clarinettist, Joaquin Valdepeñas. Nothing wrong with that idea! On the other, the concerto was to be enfolded in one of conductor-composer-lecturer Robert Kapilow’s “What Makes It Great?” programs, and that was something I felt a little uneasy about.



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    Eatock Daily

    I'm a composer based in Toronto – and this is my classical music blog, Eatock Daily.

    When I first started blogging, Eatock Daily was a place to re-post the articles I wrote for Toronto’s Globe and Mail and National Post newspapers, the Houston Chronicle, the Kansas City Star and other publications.

    But now I have stepped back from professional music journalism, and I'm spending more time composing.

    These days, my blog posts are infrequent, and are mostly concerned with my own music. However, I do still occasionally post comments on musical topics, including works I've discovered, enjoyed, and wish to share with others.


    – CE

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