Sara Teasdale (1884-1933) Sara Teasdale’s poetry is personal, subjective and often often confessional in tone, and frequently explores such issues as love, beauty and death. Spring Night is no exception: here, she contemplates natural beauty – admiring it, while also reflecting that she finds it no antidote for the sadness that love can bring.
My setting of Spring Night is performed here by a vocal quartet from Pro Coro Canada, Michael Zaugg conducting.
© Colin Eatock 2020
My setting of Spring Night is performed here by a vocal quartet from Pro Coro Canada, Michael Zaugg conducting.
© Colin Eatock 2020
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