Dr. Colin Eatock, composer
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Standing Up for Shostakovich

8/6/2011

2 Comments

 
Picture
NZSQ standing, with cello platform.
I just got back to Toronto from the Festival of the Sound, in Parry Sound, Ontario. There, I heard three fine string groups: the Lafayette, Penderecki and New Zealand quartets.

The New Zealand String Quartet has a unique appearance on stage: the three upper strings stand, and the cellist, Rolf Gjelsten, sits in a chair on a small platform. (You can see it in the photo above.) It’s a portable, folding contraption that looks a like a small parade float, and its purpose is to bring the cellist to eye-level with the other three players.


Okay – but why are the others standing, rather than sitting, in the first place? Violist Gillian Ansell told me that the greater freedom of movement that standing allows them – being able to move their whole bodies, rather than just moving from the waist up – leads to a more “dynamic” performance.

I heard the New Zealanders play a couple of Beethoven quartets – very refined performances, to be sure, but I must confess that it wasn’t apparent to me that standing (and the platform) made any difference to anything. However, when they turned to Shostakovich’s Quartet No. 9, it all suddenly made sense: the New Zealanders played with an intensity that left me feeling nailed to the back wall of the hall.

If standing helped them achieve this, then I’m all for it.

A little Googling revealed an article on standing string quartets that originally appeared in Strings magazine in 2007. (You can read it here.) The article mentions the Emerson Quartet and a few others, but not the New Zealanders. Yet according to Gjelsten, it was the NZSQ that first gave the idea to the Emersons.


© Colin Eatock 2011
2 Comments
Elizabeth Kerr link
8/8/2011 03:34:31 pm

Have a look at this story http://www.nzsq.co.nz/news-reviews/features/why-does-the-quartet-play-standing-up/

Reply
girls bedding link
10/8/2013 04:46:06 am

This is a really excellent read for me, Must admit that you are one of the best bloggers I ever saw.Appreciate it for posting this interesting post. With regards.

Reply



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    Eatock Daily

    I'm a composer based in Toronto – and this is my classical music blog, Eatock Daily.

    When I first started blogging, Eatock Daily was a place to re-post the articles I wrote for Toronto’s Globe and Mail and National Post newspapers, the Houston Chronicle, the Kansas City Star and other publications.

    But now I have stepped back from professional music journalism, and I'm spending more time composing.

    These days, my blog posts are infrequent, and are mostly concerned with my own music. However, I do still occasionally post comments on musical topics, including works I've discovered, enjoyed, and wish to share with others.


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